Akira Kurosawa’s
(1910-1998)
THE THRONE OF
BLOOD
(Kumonosu jô, 1957)
Screenplay
by Akira Kurosawa, Shinobu Hashimoto, Ryuzo Kikushima, and Hideo Oguni, based on Macbeth by William Shakespeare
Starring
Toshirô Mifune .... Taketori Washizu (Macbeth)
Isuzu Yamada .... Lady Asaji Washizu (Lady Macbeth)
Takashi Shimura .... Noriyasu Odagura (Macduff)
Akira Kubo .... Yoshiteru
Miki (Prince , son of King Duncan)
Hiroshi Tachikawa .... Kunimaru Tsuzuki (as Yoichi Tachikawa)
Minoru Chiaki .... Yoshiaki Miki
Takamaru
Sasaki .... Kuniharu Tsuzuki
Kokuten Kodo .... Military Commander
Kichijiro
Ueda .... Washizu's workman
Eiko Miyoshi .... Old
Woman at castle
Chieko Naniwa .... Old Ghost Woman
(she stands in for all three of Shakespeare's witches)
Nakajiro
Tomita .... Second Military Commander
Yu Fujiki .... Washizu samurai
Sachio Sakai .... Washizu samurai
Shin Otomo .... Washizu samurai
Yoshio Tsuchiya .... Washizu
samurai
Senkichi Omura .... Washizu samurai
Yoshio Inaba .... Third
Military Commander
Takeo Obugawa .... Miki party member
Akira Tani .... Washizu soldier
Ikio Sawamura .... Washizu soldier
Yutaka Sada .... Washizu samurai
Seijiro Onda .... Second Miki party member
Shinpei
Takagi .... Commander
Masao Masuda .... Commander
Akifumi Inoue .... Servant
Kyoro
Sakurai .... Servant
Kaneyuki Tsubono .... Servant
Takeshi Katô .... Guard
killed by Washizu
Hitoshi Takagi .... Tsuzuki guard
(as Kin Takagi)
Higuchi .... Tsuki guard
Shiro
Tsuchiya .... Commander
Takaeo
Matsushita .... Commander
Jun Otomo .... Commander
Fuminori Ohashi .... Samurai
Seiji Miyaguchi .... Phantom
samurai
Nobuo Nakamura .... Phantom samurai
Gen Shimizu
Isao (aka Ko) Kimura .... Phantom samurai
Music
by Masaru Satô
Cinematography
by Asakazu Nakai
Produced for Toho-Kurosawa Productions by Akira Kurosawa and Sojiro Motoki. Released by Toho Productions Ltd.
Akira
Kurosawa [1910-1998] was Japan's most highly regarded film director. His nickname on the set was
"tenno," or emperor, and he is also known as "the sensei of
cinema." He coauthored virtually
all his own films, and produced a large number of highly literate screenplays
filmed by other directors. Some of his
most popular screenplays have been filmed multiple times, and several of his
films have been remade in English, particularly The Outrage, The Magnificent
Seven, A Fist Full of Dollars,
and Star Wars.
The Cast
Toshiro Mifune [1920-1997] (Macbeth) starred in many of Kurosawa's
films, including Drunken Angel (1948) as a gangster, The Quiet Duel
(1949) as Takashi Shimura's son, Stray Dog (1949) as the police officer
who loses his gun, the bandit in Rashomon (1950), a romantic artist in Scandal
(1950), Seven Samurai (1954) as a farmer who impersonates a samurai, Record
of a Living Being (I Live in Fear)
(1955) as a man motivated by fear of nuclear war, The Throne of Blood
(1957) as the Macbeth character, The Lower Depths (1957), The Hidden
Fortress (1958) as the samurai general which inspired Han Solo in Star
Wars, The Bad Sleep Well (1960) as the hero, Yojimbo (1961),
and its sequel Sanjuro (1962) as the character inspiring Clint
Eastwood's man with no name in a series of Westerns, High and Low
(1963), and Red Beard
(1965). An international star, he has been in many English-language
films, including Storm over the Pacific (1960), Retreat from Kiska
(1964), Grand Prix (1967), Midway (1976) as Admiral Yamamoto, and
1941 (1980). He normally played vigorous, morally-driven heroes,
but could also play complex villains, as in The Throne of Blood.
By the late fifties he had largely supplanted the older Takashi Shimura as the
performer on which Kurosawa most depended. Mifune and Kurosowa fell out
during the excruciating two-year long production of Red Beard, where
Mifune played the wise elder doctor role, a type often depicted by Takashi
Shimura in the early fifties. Kurosawa and Mifune never spoke
again. The great director also fired composer Masaro Sato after this
film. Kurosawa retired from filmmaking
after Red Beard and attempted suicide, but recovered and made two of his
finest and most spectacular films without Mifune, Kagemusha (1980) and
the Shakespearean Ran (1985), based on King Lear, as well as the
more intimate Dreams (1990) and Rhapsody in August (1991) with
Richard Gere. Kagemusha in particular proved to be nearly as
troublesome for Kurosawa as Red Beard. Though production was not
unduly extended, the director was forced to replace his lead performer with
Tatsuya Nakadai on the first day of shooting.
Takashi Shimura [1905-1982] (Macduff), one of the greatest actors of the twentieth century, starred in Kurosawa's The Men Who Tread on the Tiger's Tail (1945) (remade first by Kurosawa as The Hidden Fortress, and later by George Lucas as Star Wars), Those Who Make Tomorrow (1946), No Regrets for Our Youth (1946), Drunken Angel (1948) as a doctor who tries to reform yakuza Toshiro Mifune, The Quiet Duel (1949), Stray Dog (1949) as Mifune's boss, Rashomon (1950) as the woodcutter, Scandal (1950) as Mifune's lawyer, The Idiot (1951) from the novel by Fyodor Dosoevsky, Ikiru (1952), his lifetime performance, as the bureaucrat dying of stomach cancer, Seven Samurai (1954) as the head samurai, Record of a Living Being (1955), The Throne of Blood (1957) as the character corresponding to Macduff, The Hidden Fortress (1958), The Bad Sleep Well (1960) as the second villain, Yojimbo (1961), Sanjuro (1962), High and Low (1963), Red Beard (1965), and finally, in Kagemusha (1980). A Toho contract actor, Rashomon was one of his few films for another studio and he notably starred as Dr Yamane the paleontologist in Godzilla (1954) and Godzilla's Counterattack (1955), as well as appearing in The Mysterians (Earth Defense Forces) (1957), Mothra (1961), Ghidorah the Three-Headed Monster (1964), and most kaiju eigan films until his death. He also had a small role as a priest in Masaki Kobayashi’s Kwaidan (1964), based on short stories by Lafcadio Hearn. Shimura’s characters are generally the moral center of the Kurosawan universe, often providing guidance to the less experienced character played by Mifune. After 1957, when Shimura played a supporting role in The Throne of Blood, a retelling of Macbeth, his parts became increasingly brief but continued to be highly memorable.